Growth + gentrification takes the Main Stage

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Photo credit: Pexels

If you have already read about the forum we attended in our newsletter, scroll down to read why this play was chosen for the Warehouse Theatre.

Wednesday night, the GVLtoday team attended the Warehouse Theatre’s Clybourne Park Forum: The Ups and Downs of the Development Vision of Greenville through the Years. It featured Merl Code, the first African-American to serve as: UofSC Student Bar Association president, Municipal Court Judge in Greenville; Chairman of the Greenville Chamber of Commerce.

It was one of two moderated (by Jonathan Parker who facilitated our inaugural CurioCity event last year) forums to discuss issues in the Pulitzer Prize-winning play, which debuts tonight + runs until Oct. 8. The second forum, The Effects of Gentrification on the Community of Greenville is free + open to the public on Oct. 4, at 6:30 at the Warehouse Theatre.

Merl painted a picture of 1980’s Greenville. Like, DYK that Former Mayor Max Heller hosted community brainstorming sessions, where anyone in the public could voice their hopes for the city? These ideas included: Tearing down the Camperdown bridge to create a park along the Reedy River; widening Main St. sidewalks; a downtown baseball field. Sound familiar? While this forum was focused on looking back, the next one will be looking forward. And the play itself, hits on both.

About Pulitzer Prize-winning Clybourne Park –

  • Spans two generations fifty years apart. In 1959, Russ + Bev are selling their two-bedroom at a bargain price, unknowingly to the first black family in the neighborhood, creating discontent among the white residents of Clybourne Park.
  • In 2009, the same property is being bought by a young white couple, whose plan to raze the house and start again is met with equal disapproval by the black residents of the soon-to-be-gentrified area.
  • This play examines the serious topics of gentrification and race from multiple sides. But, it’s actually a comedy.
  • 7 actors play one set of families in Act I and then come back in Act II and play their descendants. The house ages 50 years at intermission from 1959 to 2009.

Warehouse Theatre schedules its season to be relevant to Greenville. Why was this play chosen?

From Jason Johnson:A few years ago when I went through Leadership Greenville, I experienced a number of things about our beloved city that are examined in this particular play. Katie Leckenbusch, my colleague at the theatre and also a graduate of LG, felt the same way.

We wanted to see it produced on the main stage because of the discussion it fosters in our community and because it’s an entertaining, well-written play. In other words, it meets both the mission of The Warehouse while offering solid entertainment value.”

Additional questions to consider before heading out to the (virtual) box office:

How can you expand, but expand in a healthy way for all people involved? How do you care for the legacy of families and neighborhoods that are touched by that same expansion? How do build lines of communication between different races? Different income levels? Different neighborhood cultures?

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